| Title |  |
Credits | |
Additional Information | |
| Dive Index Collisions, 2008 |
|
Designed by Timothy O'Donnell |
|
| Title | |
Credits | |
Additional Information | |
| Dive Index Mid/Air, 2008 |
|
Designed by Timothy O'Donnell |
|
The title suggested something aerial, but photographs of clouds are hardly unique. The final imagery came from a shoot with Dive Index's Will Thomas, involving Christmas lights and plexiglass heaped on Will's bed. Buy the album here, or if you must, download from iTunes. |
| Title | |
Credits | |
Additional Information | |
| His Name Is Alive Ft. Lake, 4.A.D. 1997 |
|
AD: Vaughan Oliver D: Timothy O'Donnell |
|
A typically loose HNIA brief ("speed without accuracy") resulted in flowing slapped-together Clarendon over Dominic Davies' evocative photographs . |
| Title | |
Credits | |
Additional Information | |
| Interactive M Identity, 2004 |
|
Designed by Timothy O'Donnell |
|
Identity and stationery design for a UK-based media company. |
| Title | |
Credits | |
Additional Information | |
| British Sea Power / Film School poster, 2008 |
|
Designed by Timothy O'Donnell |
|
Undertaken while Bottletree poster designer Roy Burns recuperated from surgery. See his fantastic posters here |
| Title | |
Credits | |
Additional Information | |
| ALT: Alt Pick Magazine launch issue, 2005 |
|
Timothy O'Donnell for The Fin Company |
|
When the Alternative Pick wanted to pair its annual book with a bi-monthly publication, I received a harried, trial-by-fire lesson in editorial design. If I had it to do over again, I would change about 40,000 things. Ah, hindsight. |
| Title | |
Credits | |
Additional Information | |
| 300% Shirt design, 2006 |
|
Designed by Timothy O'Donnell |
|
A shirt design commissioned by the stellar Helen Walters for her 300% Cotton book. The design overprints an (unfortunately) existing shirt. Anti-intolerance, pro-Derrida and Clarendon. Buy the book. |
| Title | |
Credits | |
Additional Information | |
| Oneironaut Nine Inch Army, 1997 |
|
Designed by Timothy O'Donnell |
|
A fragment of a poster found on Balham High Road became the basis for this 7" packaging. |
| Title | |
Credits | |
Additional Information | |
| I'm Sore CD-R, 2004 |
|
Designed by Timothy O'Donnell |
|
In his I'm Sore guise, Ian Masters takes the musical saw to frightening new heights. If pressed, I'd theorize that I'd made some connection between the teeth of a saw and a comb, and that the key motif suggests unlocking a tool from its usual routine, but who knows? Buy the album. |
| Title | |
Credits | |
Additional Information | |
| Title Design Beautiful Noise, 2008 |
|
Designed by Timothy O'Donnell |
|
The title design for Eric Green's much-anticipated shoegaze documentary Beautiful Noise references the cover of My Bloody Valentine's genre-defining Loveless without slavishly replicating it. More about the film. |
| Title | |
Credits | |
Additional Information | |
| Various artists The Winner Is The Loser, 1998 |
|
Designed by Timothy O'Donnell |
|
A suitably random package for Osaka-based Friendly Science Enregisterment's collaboration with Detroit's Time Stereo Records. Buy the album. |
| Title | |
Credits | |
Additional Information | |
| Iconica Launch Catalogue, 2002 |
|
Timothy O'Donnell at The Fin Company |
|
Iconica dealt in more direct, iconic stock photography than their parent company Photonica. Reflecting this, their launch materials were themed around the simplicity of an A + B = C equation. |
| Title | |
Credits | |
Additional Information | |
| Promotional postcard Kevin O'Donnell, 2009 |
|
Timothy O'Donnell | |
A quick favor for my brother, accomplished musician and composer Kevin O'Donnell. On some level, I was aware that the apostrophe and the comma were essentially the same character, but I don't think I fully grasped this until now. |
| Title | |
Credits | |
Additional Information | |
| Various artists Random 02, 1998 |
|
Timothy O'Donnell | |
| Title | |
Credits | |
Additional Information | |
| Photonica Promotional datebook, 2002 |
|
Timothy O'Donnell at The Fin Company |
|
When working with Photonica (R.I.P.), I had access to thousands of great images; my biggest challenge was creating something that would appeal to designers without getting in the way of the photography. |
| Title | |
Credits | |
Additional Information | |
| MTV Video Music Awards NARM materials, 2000 |
|
Timothy O'Donnell | |
This homage to Damien Hurst was fully constructed, no Photoshopping took place. |
| Title | |
Credits | |
Additional Information | |
| Various artists Twenty-one years of Beggars Banquet, 1998 |
|
Timothy O'Donnell | |
